Now what I also have in the Replay Template that isn't in the MASTERINPUT shot list is a Titler animation saying "Replay" - so this scoots across the screen, stays for a brief moment and dissapears.
Next in the Replay settings you will see the Template listed there as something you can use as a template for any replays. This new shotlist is called "Replay Template" I have all the overlays, but not the Decklink source.
With respect to the OP Joe Nudi 's question - I created a new Shotlist on the same Master Layer as my MASTERINPUT which has several overlays for sponsor logos as well as the camera input for the Decklink capture card. But if the Playlist is not visible because normally you have your Master Layer list open, then it is harder to note the Timestamps. However - I do find it handy when running replays if you know a few good replays as they happen you will see the time-stamping in the name of the replay, can note it down, then during a pause in a game, such as Quarter time you can run through several replays again. The added benefit for this is you can then set the playlist to run one after the other at a later stage. So the idea is if you create a play list and can dump them there out of view because you can just change tabs to the playlist timeline on a needs basis. If you are in a situation where you are going to create many replays (like I did on the weekend - over 40 replays within a Quarter of an AFL match - the Master Layer timeline gets very jammed with replays.
If you scrolled upward in the screen, you would also see input from Titler Pro Live running on a separate Mac on my office LAN.Overall, NDI has done a fabulous job integrating content creation packages and live streaming software programs.CraigS- the area you are point out in the image is the area that the Replays get placed, where in your case you have created a Big Playlist playlist.
VMix recognizes multiple sources from different NDI-compatible programs from different computers.vMix also shows inputs from Titler Pro Live running on the same system, plus screens from an HP notebook from vMix desktop capture software. The overlay will disappear if you opt for the $9.99 monthly subscription price.Figure 5.
In, I’m using the free demo version, hence the logo overlay. F igure 5 (below) shows how NDI enables vMix to input the title created in After Effects shown on the bottom in. This should also work with other NDI-compatible live mixers.
The Web Controller is another useful feature that lets you edit titles from a separate device with a web browser, such as a separate computer or even a tablet.As I mentioned at the beginning of this article, vMix fully supports NDI version 17 and even produced its own desktop capture software that can capture a screen on a Mac or Windows computer and allow you to use that screen in a vMix production. Once installed, you can access templates or even design titles from within Wirecast and immediately display them as overlays in your productions ( Figure 4, below).Figure 4. Feeling the Bern with Wirecast 7.0To enhance these capabilities with motion and 3D titles, you can integrate one of four versions of the NewBlue titling software directly into Wirecast for increasing levels of design and display functionality, including Titler Live Express ($99), Titler Live ($299), Titler Live Advance ($499), and Titler Live Broadcast ($1,499). It also allows crawling and scrolling titles with enhanced alignment, justification, and font support.Figure 3. The new version 7.0, which was announced in late June 2016, also offers the ability to type text directly into the live feed, to display a text file that automatically updates when changed, and to display an RSS feed. Both share basic 2D title creation capabilities with lots of templates to get you started, plus an excellent Twitter integration function that makes it simple to add a Twitter feed to your videos ( Figure 3, below). Titling and WirecastTelestream Wirecast is a live video-switching software program that offers two versions: Studio ($495) and Pro ($994).